decker/offenhuber/palmetshofer/schnaiter 1999 for images and text go to http://residence.aec.at/didi/joma/joma.html The signal is in the foreground of this sound performance. Audio fragments from TV and radio broadcasts, found footage von CCTV surveillance cameras, traffic cams, earth observation satellites, and ATM cash machine cameras are the basis of this work with logics of definable frequency and machine control. The sequence of these videos and the rhythm of their cuts from one scene to the next are triggered by discrete signals in the midistream of the sequencer, and thus withdrawn for the most part from human control. The signal becomes imaged reality. ars electronica quarter and festival 1999